Moth Quarantine Toy, 2020. interactive/kinetic photograph: inkjet, vinyl,  steel, & rare earth magnets. 21x28"

Whiz Confluxx at Royal Nonesuch Gallery, Oakland, CA, 2019. steel, inkjet on vinyl, pebbles collected from the Headlands, rocks from throughout California, rare earth magnets

Transparent Sinkholes, MFA Thesis, 2016. Anderson Gallery, Richmond, VA. Inkjet adhesive fabric, inkjet on vinyl, on steel, laser cut plexiglas, & rare earth magnets

Oversharing in the Soups. Magic Pictures Gallery, Philadelphia, PA. 2015. UV prints on plexiglas, adhesive fabric, pvc pipe, selenite.

ABBEY LEE SARVER liquefies her subjects across the page. Outlines of glass and plastic fragments dissolve into the picture surface. Masks lie transparent and deflated in a sea of saturated color. Both color and gravity seem to drain out and slide away from her photographically depicted objects, bleeding into the background and coalescing the surrounding air. Flowering plants and rocks, the weight lifted out from under them, appear to float in a tangible haze of lush tropical colors. Her work is simultaneously empty and overflowing, nowhere and everywhere, existing in the space between dissolution and afterlife.
-Ben Furgal  

Large Wavy Vortex, 2015. Part of To: Pluto at Sediment Arts, Richmond, VA inkjet on adhesive vinyl on steel. 3x5'
Collection of Katrina Ohstrom